ENES GÜÇ is a Berlin-based director and multidisciplinary artist working across film, spatial environments, and digital systems.
His practice focuses on the construction of perception. Through controlled visual and spatial languages, he creates multi-dimensional environments where psychological and emotional states are staged, observed, and destabilized, balancing clarity with tension and subtle shifts in reality.
With a background spanning fine arts, CGI, and creative direction, his work is informed by both material and digital processes. This duality allows him to move fluidly between film, installation, and constructed environments, approaching each project as a system rather than a single output.
His personal work and collabrations has been presented by Schinkel Pavillon, Julia Stoschek Foundation, Frieze London, and Paris Photo, and featured in Dazed, Vogue, and Nowness. He has collaborated with Staatsballett Berlin, Shayne Oliver Group, Rimowa, Dilara Fındıkoğlu, and Berlin Atonal, among many others.
Across formats, he builds contained worlds with a distinct internal logic, where image, architecture, sound, and performance operate as one.
His practice focuses on the construction of perception. Through controlled visual and spatial languages, he creates multi-dimensional environments where psychological and emotional states are staged, observed, and destabilized, balancing clarity with tension and subtle shifts in reality.
With a background spanning fine arts, CGI, and creative direction, his work is informed by both material and digital processes. This duality allows him to move fluidly between film, installation, and constructed environments, approaching each project as a system rather than a single output.
His personal work and collabrations has been presented by Schinkel Pavillon, Julia Stoschek Foundation, Frieze London, and Paris Photo, and featured in Dazed, Vogue, and Nowness. He has collaborated with Staatsballett Berlin, Shayne Oliver Group, Rimowa, Dilara Fındıkoğlu, and Berlin Atonal, among many others.
Across formats, he builds contained worlds with a distinct internal logic, where image, architecture, sound, and performance operate as one.
Short Film, 2025
A short film rendered through a minimal yet precise cinematic vocabulary that explores power, perception, and the architecture of inner transformation through a distilled visual language. Choreography, symbolism, and spatial tension converge into a single meditative gesture.
Conceived in the liminal space between ritual and reality, the film follows a solitary figure in a weightless, post-symbolic environment. A suspended coin, untethered by gravity, becomes both compass and question mark, guiding the protagonist through a process of self-recognition. The narrative unfolds not through dialogue, but through gesture, scale, and negative space, exploring fate, mirrored identity, and illusions of power.
Visual stillness and sonic subtlety invite the viewer into a suspended moment of reckoning, where perception collapses and control is redefined. Rather than offering narrative closure, the work positions itself in a space of emotional ambiguity. It operates as a visual koan, a container for projection. Less a traditional short film than a psychic imprint, it reveals that what has been sought in external reflections is, in the end, found within.
Creative Director – Evelyn Bencicova
Production Company – Stink Films
Executive Producer – Jana Marks
Producers – Florian Christopher, Hermione Flynn
Lighting – Felix Schirmer
Set Design – Tatiana Makrinova
Hair – Ruby Howes
Make-up – Naomi Gugler